Thursday, September 19, 2013

CARRIE MEGGINSON ABOUT PLOT

Hello,Carrie,                                         

So nice to have you aboard Flowers and Thorns.

Tell us about plot.


For me, writing is all about the plot. The feel for dialogue doesn’t cause me to stumble. I have an acute ear for mimicry, dialect and the ways minute language choices act as sign posts to character, status, gender and etc.  Writing action, or intimacy, or casual scenes over a cup of coffee doesn’t faze me. But if I don’t have plot, I can’t write a word.

Which leaves me pointing a finger at my parents. A cry goes out in the land, ‘It’s all their fault.’ I grant you, therapy is meant to put paid to those sorts of issues by the time a person reaches her years of discretion. But when I was a small child, my parents’ pastimes set me on the road my feet still tread; though neither they nor I knew it at the time.

As early as the mid nineteen sixties, my parents became involved in the small-but-active community of lay Jungians in the U.S. They workshopped, attended conferences, traveled for seminars, created listening groups to attend taped sessions of material, and subscribed to a variety of publications. Both my father and my mother thought and studied deeply on matters from a Jungian perspective.

Back in the day, my father served as an ordained clergyman of the Episcopal Church in a suburb of Chicago. My mother was a full-on housewife. One effect of their passion for the teachings of Dr. Carl Jung was visible on our bookshelves. Alongside a number of different editions of the Bible, we kept a run of Just So stories, creation myths, and fairytales. I remember my mother saying clearly as she opened a book for our bedtime read-aloud, “This is a story about how some of the people in Mexico believe the world began. It’s not the same creation myth we have, but that doesn’t mean it’s wrong.”

I don’t know what the triggering incident was, but one day after church, my mother brought me a big, fat book. The book certainly looked big and fat from the perspective of an eight year old. She said, “I think you need to understand more about how it is for other people in the world, dear.” And then she handed me Linda Goodman’s Sun Signs. This was the beginning of my studies in astrology, as well as being a nicely Jungian solution to guiding a child into a wider recognition of variety in the human experience.

What has all this got to do with plot? Well, comforting or not, the planets and their houses and the signs of the zodiac forever wheel around at different speeds, varying against the day or night, and they make stories. From my perspective, a birth chart is the story we come into the world to tell ourselves. The movements of the heavens after our birth are the ‘nurture’ part of the equation which further shapes our ends, rough-hew them as we will. I believe in plot down in my DNA. It causes us to get out of our beds, or to crawl under them, or to take to them.

Plot problems are the demons which bring me to writers block. Before I start a book, I sit and wrestle (using ink and paper) with plot development as Jacob wrestled with his angel. I adore it when my characters contain enough will and vitality to hi-jack my story and shift it to please themselves. I fear those moments also. Once I lose the strand of plot leading me into and out of the labyrinth of my story, I stand stock still—listening in the dark to grains of life accumulating unseen, until they reveal a fresh direction and I am able once again to take up the thread of the tale.

I don’t have a ritual I follow to cut the Gordian knot of my writers block. I do take longer walks, as the vestibular stimulation seems more helpful rather than more distracting. I sleep more, perhaps hoping to find the answer in a dream. I cook less; maybe the other great craft in my life feels like a distraction and not a contributor. But the answers come only when they come. Until they do, I am stuck.

What techniques do others use to shake the plot blues away?


 
 
 
 
On Amazon  here
 
 

 
Fantasy by Carrie Megginson
Vasilissa Dmitrevna Jones travels Beyond the Veil once a month to serve the
legendary witch Baba Yaga. With the help of a house sprite bound by oaths to protect
and mentor Vasilissa, she accomplishes the impossible tasks and fabulous foodpreparations
demanded by the prehistoric cannibal hag. Vasilissa hates the time she
spends Beyond the Veil. She would rather live a ‘normal’ life in her hometown of
Mount McKinley.
One Saturday, Vasilissa accidentally frees the notorious Koschei the Deathless
from his imprisonment in the Baba Yaga’s wardrobe. The witch gives Vasilissa one
month to learn the skills, collect the tools, and bring back Koschei—or his deathless
heart. If Vasilissa fails, her cannibal good-mother promises to eat her.
With help, luck, and training, Vasilissa has one chance to bring Koschei to justice.
Can she stay focused on her goals, or will her crush on the letter carrier ruin her aim?
Will the talking fox she meets along the way prove to be a true friend, or is he up to
something else altogether? Can Vasilissa overcome the forces of evil and still be back
in time to walk the neighbors’ dog?

Vasilissa and the Deathless Heart
A Girl and her Doll Series
Carrie Megginson
 
 
 
MuseItUp Publishing

 
Carrie wants to know,

what techniques do you use to shake the plot blues away?
 
We love comments. Won't you please leave one?
 
 
 

 

 








 

Monday, September 16, 2013

SAY HELLO TO DIANE BATOR AND THE BOOKSTORE LADY



Hello, Diane

Welcome to Flowers and Thorns.



I'm so happy to have you here, Diane. Your mysteries look absolutely fantastic.

 

Why don't you tell us a little about your writing.

 
My two bits:
When I was a kid, I love to read. In fact, there were few days my mom didn't find me draped over the couch in some awkward fashion reading the book of the day. And yes, I went through a lot of books. The ladies at the public library in town knew me. Picture books gave way to first readers until in 4th grade I discovered The Hardy Boys. Thus began my love of both writing and mysteries. Nancy Drew was an okay alternative in a pinch, but I loved The Hardy Boys. Then I discovered Sidney Sheldon, Stephen King and Janet Evanovich.
Ironically enough, while I was always a writer, I never started to write mystery novels until 2010 when I discovered a contest called Murder in Ink put on by a Canadian publisher, Wynterblue Publishing. The contest was based around writing a novella as a group effort using an old murder mystery party game. I was intrigued and dove into the concept. In the end, they changed the contest so one author wrote the entire novella and I won! Murder on Manitou was published in January 2012 and I haven't looked back since.
I'm 3/4 pack rat and still have short stories, poems and manuscripts I wrote way back in high school. My dad, a musician, even wrote songs using some of my poems and lyrics.
My Wild Blue Mystery series started out as general fiction that takes place in the fictional town of Packham and became a line of mystery novels, the first of which is The Bookstore Lady, represented by Dawn Dowdle of Blue Ridge Literary Agency. I began writing The Bookstore Lady in 2007 and it has been through several edits -- ten or so -- before published by Books We Love.
As I've matured and learned more and more about writing and publishing and after all those years, I have several more books to follow. The point is, I NEVER GAVE UP! Writing has been my passion for so long, I wanted to make it happen. Having a book published was the number one thing on my Bucket List. Not one to sit back and do nothing, I am currently finishing a collection of short stories and am editing the second book in the Wild Blue Mystery series.
Wow, I'm impressed. You are a busy lady. Let's see the cover and tell us a little about your latest.
 
The Bookstore Lady
Wild Blue Mysteries
 Danny Walker is tracking Paulina Chourney who fell deep into the dark side of life and is lucky to get out before her boyfriend Maddox kills her. She escapes Maddox and arrives in a small town, which she sees as a blessing in disguise since the men she worked for would never think to look for her in a lazy, backwater place like Packham. She changes her name to Katie Mullins, makes a deal on a little bookstore and joins a local writing group then successfully fades into anonymity. Until Danny Walker shows up to visit family and figures out who she is. 
 When Paulina catches her 80-year-old landlady Hilda Clayton sneaking out in the middle of the night, the bad guys catch up to her and Danny disappears. Katie has to choose between spending her life on the run or standing up to face her past. Hopefully before the quirky townsfolk turn her death into a spectacle.
The Bookstore Lady Available at:
Amazon:   http://www.amazon.com/dp/B00DWKNGPQ
All Romance E-Books:  https://www.allromanceebooks.com/product-thebookstorelady-1239942-177.html
Barnes & Noble:  http://www.barnesandnoble.com/w/the-bookstore-lady-diane-bator/1116037812?ean=2940148380122
Smashwords:  http://www.smashwords.com/books/view/335861
Kobo:  http://store.kobobooks.com/en-ca/books/The-Bookstore-Lady/aqRmTRQKY0uLOsol9Ci5zw
Diane has been a writer since she was able to hold a pencil and tell a story. An avid hiker, Reiki Master and martial artist, she loves to make a mess in the kitchen and putters in the garden at will. Joining the Headwaters Writers' Group in 2007 was the catalyst for unearthing several old writing projects. Her first murder mystery, Murder on Manitou, was published after winning a writing contest in 2010. She lives in Southern Ontario with her husband, three kids and a cat who thinks he's a dog. The Bookstore Lady is her latest novel.
To learn more about Diane, visit her sites.
My website: http://penspaintsandpaper.com
I love the cover. And we love comments, too.
Won't you please leave one for us?
 
 

 

Friday, September 13, 2013

OH MY GOSH, I HAVE SHIRLEY MARTIN ON MY BLOG TODAY


 
 
Shirley, I'm so excited to have you here.
You have written so many books and you are
originally from my area, too.

How wonderful to host you.

Let's get into a little about you
first.



Bio

 

Born near Pittsburgh, Shirley Martin attended the University of Pittsburgh. After graduating from "Pitt", she taught school for one year, then obtained a position as a flight attendant with Eastern Airlines. Based in Miami, she met her future husband there. After raising three sons, she devoted her time to writing, something she had always wanted to do.
With a vivid imagination and a love of storytelling, Shirley has always enjoyed writing. Her first published novel, "Destined to Love" reflects her familiarity with western Pennsylvania, where she hails from, and her love of romance writing. From this historical romance, she blossomed out to other romance genres. "One More Tomorrow" is a vampire romance, one her publisher dubbed "a sizzling seller". With several fantasy novels and novellas, her writing should appeal to just about every reader of romance. Her books have been sold at Amazon and most major book stores and have garnered great reviews. A widow, Shirley lives in Birmingham, Alabama, with her two cats.
Here is Shirley's newest.
 
Wolf Magic
Avador Book 5

Rabid wolves are overrunning Avador. The queen has issued a decree to the sentries: Kill the wolves! Hunting the beasts in the forest, sentry Briant Girard spies a wolf in the distance and fells the animal with an arrow. Minutes later, he finds that he has badly injured a young woman. While tending to the woman, he worries, where is the wolf?

A wolf possessing her body, Annwn is torn and confused. She delights in her wolf essence, when she can roam the woodland, wild and free. But her human side yearns for all the joys of a normal woman, someone to love, a home and children.

Deeply attracted to the lovely Annwn, Briant wonders why she spurns his advances. Even after he discovers her secret, he vows he will always love her. But Annwn knows their love is hopeless.

A beast trapped inside her, a young woman fears she will never find happiness with the man she loves.

 With BooksWeLove                                         
 
 
Excerpt
 This scene takes place after the heroine, Annwn, has been jailed for stealing.
 

Arriving at the jail ,Briant pushed the heavy oaken door open and noted a few other people already in the building. His boots clicked on the flagstone as he crossed the vast ground floor and climbed the steps. His heart beat a bit faster as he approached Annwn’s cell. as his heart always throbbed upon seeing his loved one. Yet he knew their love was hopeless, though it pained him unbearably to accept the fact.


He reached her cell and–

Annwn?

Shock rendered him speechless, his throat dry. His heart pounded wildly.

Sitting on the floor, she held her shift in clawed hands, her arms and legs covered with fur. Her face red with shame, she turned away from him. He heard her sobs, saw her trembling.

This is Annwn?

He clenched his hands, fighting for control. Helpless to do anything, he could only stare. He discarded his shock; his heart turned over with love and pity for her. He found his voice as he unlocked the cell door. “Annwn, my dear Annwn! Now I know–“

"Now you know why there can never be anything between us.” Dressed now, looking human once more, she stood and wiped the tears from her cheeks. “Now you see me for what I am–a monster!”

He stepped closer to her, his heart overflowing with love. “I see you as the woman I love.” He reached for her, but she drew back, a look of despondency on her face, of utter despair. Her face red from crying, teardrops clung to her eyelashes, yet she was as lovely as ever. “My darling, let me hold you. Please don’t refuse me.” He drew her into his arms, and this time she didn’t push away, but neither did she let him embrace her. “Surely you realize how much I care for you,” he said. “My love for you–“

”No! Try to understand. Any love between us is hopeless. We have no future together. Why can’t you accept that?”

He kissed the top of her head, his fingers tracing the contours of her back. He could not do as she suggested– accept the futility of their love. Questions bombarded him, questions that clamored for answers. “First, tell me how this happened, why this happened. Were you born this way?”
 
“A wicked woman was jealous because my father married someone else. She cursed me as a baby and reinforced that curse not long ago,” she said, explaining her recent visit to the Temple.
~~~~~~~~~~~~~~~~~~
 
Very exciting, Shirley. I'm looking forward to reading this one. I see it's #5 in the series. Here are the links to your other books so folks can find you and see this wide array of books you have available.
 
Amazon  here
 
Shirley's page on Amazon   here
 
BooksWeLove      Here
 
Visit Shirleys website  here
 
This looks like a winner, Readers.
 
 
Don't forget to leave a comment for Shirley. We do love comments.
 

 
 




 

Tuesday, September 10, 2013

JAMIE HILL WITH HER BLAME SERIES

Welcome Jamie,

So nice to have you here today.
I love the covers of the books and
I see the second will be released this month.


Tell us what prompted you to write this particular BLAME series.
~~



Sometimes a story just wants to be told. The plot line for my new romance series, The Blame Game, has been running around in my head for a while now. I’ve been working on other projects, things I thought were more timely and pressing. But these stories just wouldn’t go away. I recently got hung up on my current work in progress and decided to look at something different. These stories came pouring out and practically told themselves. I’m so glad I decided to listen to my muse and mix things up—not be hesitant to put down the current manuscript and take a chance on something different. I hope you’ll agree!

~~
 
Oh, I definitely agree. You have a smart muse. Let's see the first one in the series, and I understand the book got fantastic raves. Show us the first one.
~~
Blame it on the Stars
The Blame Game, Book One
Teacher Catlin McCall has second thoughts about dating the father of a student, but listening to his sweet talk one night under the stars, she finds him hard to resist. They stumble into an impetuous, passionate relationship which leaves them breathless and his family less than thrilled. A not-quite-ex-wife who decides she wants her man back, combined with a pair of manipulative teenagers, make for more problems than either of them are prepared to deal with. 
 
Steve Naughton has no idea when he invites Catlin’s brother to join them for dinner that his fiancée has family issues of her own. Like the old adage, no good deed goes unpunished, and Steve’s surprise backfires when the truth comes to light. 
“You feel like your life got thrown up in the air, and it’s landing as a different sort of life? Yeah, me too.”  Blame it on the stars.
 The first three reviews are each 5 stars.
 
#
 
“This book is an awesome read. Jamie has you hooked from the start! Every time I thought I knew what was gonna happen she brought in something new. I can’t wait for the next book. This book needs read by everyone!” ~ 5 Stars, Lisa, Amazon Verified Purchase
 
#
 
“I have always thoroughly enjoyed Jamie Hill’s writings and this was no exception. This story feels believable about a new romance, but life has a way of throwing the couple a curve ball I did not see coming! It is a fast read, and I love the Midwest setting. I recommend this book.” ~ 5 Stars, Maggie, Amazon Verified Purchase
 #
 
“She had me from the beginning and I didn't want to stop reading until I finished it! Just when I was thinking "happily ever after" for the main characters, she brought in old relationships for them to deal with. Can't wait to read the next book!” 5 Stars, CMT, Amazon Verified Purchase 
 ~~
Now this one is due out this month. Correct?

The kind enthusiasm for book one has motivated me to finish book two, Blame it on the Moon, and release it earlier than planned. It should be available at Amazon in early Sept.
 
 
And book three, Blame it on the Sun, is well under way! (My wonderful editor Roxanne has already prompted me to tell a fourth story, so don't rule out a book four.) 
 
I see you already have the cover for # 3, how wonderful!!
 
 
You are really tempting us with this series. I'll be looking for #2 on Amazon and adding to this collection. I can't wait.
 
 
 

Now, we'd like to know, did your muse ever prompt you to stop writing a current WIP and jump into another because said muse wouldn't leave you alone?

 


We love comments. Please leave one for us today.
 
 
 
 
 



 

Saturday, September 7, 2013

A VAMPIRE THRILLER BY JULIE HAYES WITH A CO-AUTHOR

Welcome to my blog Julie,

I understand you had a great co-author on your new vamp thriller, S L Daniels. And a historical novel to boot.

Most of us have never co-authored a novel. Tell us how it worked out for you and how you both managed.

 
 
 
 
 
 
 
 
 
Thanks for having me here, Lorrie! Always good to see you!
 Writing an historical novel is different than writing a lot of other types of books because it involves things that actually happened, not just things that take place in the author’s head. Verifiable events and times which can be remembered or read about in history books. This requires more meticulous research into the era involved, and people’s lives at that time. Also, collaborating with another author is different from sitting down and writing whatever comes to mind. SL Danielson and I managed both feats in our first collaborative effort, My Fair Vampire. The research was relatively easy to do, especially made easier as we set the book in our own back yard—turn of the century St. Louis, Missouri, during the time of the Louisiana Exposition. Or you might know it by its more common name—the World’s Fair.
As for learning to write together, that came with trial and errors, but we seemed to fall into a definite rhythm of literary cooperation almost immediately, and in the process became friends.
I imagine every literary couple has its own methods for writing together. Without the Internet, though, most couldn’t do it, and we were no exception, despite living in the same town. We did our work via emails and attachments. Back and forth, both in the writing and in the plotting. And bit by bit a story began to grow.
Basically we started by each creating a character. These two became our protagonists. We developed them separately but worked on the plot together.  William Deming is a young reporter from a small Utah newspaper who is given the chance to cover the World’s Fair—and he leaps at it! Fresh-faced and eager, he arrives by train to the city that has the spotlight of the world for this moment in time. Many people in St. Louis were opening their homes to the visitors that flooded their town, renting rooms to the newcomers for the duration of their stay. William finds a place within walking distance of the Fair, to his delight, a boarding house on Lindell Avenue, run by a Russian woman by the name of Ekaterina, who just happens to have a dark and mysterious nephew. His name is Misha.
But Misha has a secret, one he dare not reveal to the handsome reporter who intrigues him so. Misha is a creature of the night. A vampire. Turned by the not-yet infamous monk Rasputin in his homeland of Russia, Misha has come to the United States to live with his aunt in order to avoid service in the Russian army. He is discreet both in taking sustenance and in satisfying the needs of his libido, which hungers for young men, and not women. But how long can he withhold the truth from William, and when it comes out will he lose him forever?
Working with another writer has advantages. You have someone to bounce ideas off of, someone to do half the writing, someone who understands the characters and the situations as well as you do who can give you insight into them and vice versa.  If you pick the right co-author, and work hard together, your book can come together in less time than if you’d written it alone.
Thanks for having me here today, Lorrie.  I always enjoy visiting with you!
 
Always a pleasure to have such talent on my blog. Now give us a little taste of the novel.
 Blurb:  In 1904, the world’s spotlight shone brightly on St. Louis, Missouri—gateway to the West and host of the Louisiana Purchase Exposition. Visitors came from all points of the globe to wonder, to gape, to taste, to explore and to enjoy the marvels which the World’s Fair had to offer. An ambitious young reporter from Utah, William Deming, sees his chance to not only visit the fair, but make a name for himself by reporting on its goings on. He takes a room in a boarding house, close to the Fair itself. What he doesn’t count on is meeting Misha—a young and handsome Russian, whose aunt owns the boarding house.
 Misha is something William has never encountered before—a vampire! As if that isn’t enough to accept, when a man is discovered murdered at the Fair, William has to wonder if his Misha is involved. Especially as there seems to have been a connection between the vampire and the victim. Will an old flame cause new problems for William and Misha? Will they find love at the World’s Fair? Or will theirs be doomed to be a fatal attraction?
Excerpt: 
Prologue
 
April 23, 1904
William unfurled the crisp Utah Gazette in his hands. The periodical smelled of fresh ink, and the paper was still warm. 'Hot off the press', as the saying went. He took care not to hold the page too long, so his fingers wouldn’t smudge the fresh print.
1904 World's Fair to be held in St. Louis, Missouri.
William's heart skipped a beat. Such an opportunity! To meet people from distant lands, to see amazing sights from around the globe—truly a marvelous undertaking. I must make certain I become the reporter Mr. Andrews chooses to send to the exposition.
He licked his lips in anticipation and felt his woolen pants rise. Travel always had that effect on him. Of course, so did the delicious possibility of an exotic visitor who might cross his path. One that didn't speak English, but was a linguistics master in the language of sex. It'd been far too long for him, and he needed to tip the scales in the other direction.
He slipped into the washroom and nervously checked his reflection in the mirror. His blond hair was darkened by a liberal amount of oil; he only used it to tame his unruly cowlick. His cheeks appeared hollow in his thin, pale face, and his chin pointed. His favorite feature was his large, blue eyes; after that, he was most fond of his tame nose, thankful his family's history of large noses had not carried over to him.
He adjusted the round Benjamin Franklin-like spectacles he'd worn since he was ten years old, when he’d squinted at the blackboards at school. All eight of his older siblings taunted him with cries of four eyes and other teasing nicknames, which he greatly resented. Over time, though, he'd adjusted to the glasses. As his grades surpassed most everyone else's in the family, he felt as smart as they made him look.
He smoothed down his large tie and flattened out his vest. His brown woolen suit was still somewhat new—a Christmas present from his parents. He’d have to get it tailored a bit. He'd lost some weight since he’d moved from the quiet mountains to the relatively hectic Salt Lake City to take his position at the Gazette. The work kept him busy, often with little time to eat.
 

Chapter One

 
 
April 30, 1904
The crowds began arriving even before the sun, making their way from streetcars, from shuttles, and on foot—some having parked their vehicles at great distances in order to attend this historic event. They milled patiently about the main entrance gate on Lindell Boulevard until eight o'clock, mingling with the three hundred some-odd St. Louis police officers who’d been assigned there. At that time they were allowed to slog their way through the turnstiles and onto the fairgrounds themselves. This grand event had actually been delayed for a year. Originally meant to begin on April 30, 1903, which would have been the centennial of the day on which Thomas Jefferson completed the Louisiana Purchase, it had been postponed to allow time for it to be done properly. Even President Roosevelt—who’d traveled to St. Louis on the original day just for the occasion—had to admit that while progress was remarkable, and everything was just "bully" (as he put it in his own inimitable way), it did need more time in order to be the vision they wanted it to be.
The weather in St. Louis had decided to cooperate, which in and of itself was something of an accomplishment, as the natives of that fair city would attest. Balmy temperatures were an added incentive to attend the Fair; the day was filled with gentle breezes, and sunny skies, and spirits were running high.
Shortly after nine o'clock, the opening ceremony speeches began, the first speaker being none other than David R. Francis, whom many considered to be the architect and chief mover of the World's Fair. Former mayor of St. Louis and former governor of Missouri, now a respected member of the business community once more, he’d begun drumming up support for the Fair back in 1896. Having obtained five million dollars from the U.S. Congress, he went on to acquire ten million more in state, city, and private funding, forming the Louisiana Purchase Exposition Company. He was named its president, and people referred to him thereafter, with affection, as President Francis.
After Francis's speech, in which he referred to the 1904 World's Fair as a distinct step forward, a marching band led by John Philip Sousa began to play, to everyone's delight. The strains of Stars and Stripes Forever reverberated throughout the area by the Grand Basin where all were congregated. After some two hours of speeches, the crowd parted to admit a carriage escorted by cavalry from Jefferson Barracks. The vehicle contained none other than Secretary of War William Howard Taft, who spoke on behalf of Theodore Roosevelt, who waited back in Washington, in the East Room of the White House. Taft spoke of harmony and world peace, of nations working together for the good of all, of hopes for the future.
Once Taft concluded his speech, it was time. An expectant hush fell over the crowd, which was estimated somewhere in the two hundred thousand range. President Francis pressed a gold telegraph key, which sent a signal to the waiting President Roosevelt back in Washington. In turn, T.R. pressed his own key, sending the signal back to St. Louis. Thousands of flags in a multitude of hues were raised on high, while water flowed into the fountains and the waterfall known as the Cascades, which traversed the hill from Festival Hall down to the Grand Basin, to the cheers of the excited throng.
The 1904 World's Fair had begun!
 
Wowee, Julie, I know what is going next in my Kindle. This one!!!
 
 
My Links:
 
My Publishers:
 
Bio

Julie Lynn Hayes was reading at the age of two and writing by the age of nine and always wanted to be a writer when she grew up. Two marriages, five children, and more than forty years later, that is still her dream. She blames her younger daughters for introducing her to yaoi and the world of M/M love, a world which has captured her imagination and her heart and fueled her writing in ways she'd never dreamed of before. She especially loves stories of two men finding true love and happiness in one another's arms and is a great believer in the happily ever after. She lives in St. Louis with her daughter Sarah and two cats, loves books and movies, and hopes to be a world traveler some day. Currently unemployed,  she continues to write her books and stories,  and reviews which she posts in various places on the internet. Her family thinks she is a bit off, but she doesn't mind. Marching to the beat of one's own drummer is a good thing, after all.  Her published works can be found at Wicked Nights, Dreamspinner Press, and Silver Publishing.   You can email her at tothemax.wolf@gmail.com or follow her blog, Full Moon Dreaming
 
 
Thanks so much for sharing with us today, Julie.
 
You are such a talented author, I've enjoyed your books.
 
Leave a comment for Julie, folks, we happen to love comments.